Maxwell Heilman Archives - The Chimes

All content by Maxwell Heilman

Holy Blood represents Christian viking metal

Maxwell Heilman, Writer
May 17, 2017

“Alien” needs bizarro vision

Maxwell Heilman, Writer
May 16, 2017

Elevant makes stoner funk a thing

Maxwell Heilman, Writer
May 9, 2017

He Is Legend still have it

Maxwell Heilman, Writer
May 2, 2017

White Ward master depressive experimentalism

Maxwell Heilman, Writer
May 2, 2017

Nhor encapsulates temperate gloom

Maxwell Heilman, Writer
May 2, 2017

Classical metal gets a twisted facelift

Maxwell Heilman, Writer
April 25, 2017

Thad Kopec spreads his wings

Maxwell Heilman, Writer
April 25, 2017

Ulver returns to tripped-out beats

Maxwell Heilman, Writer
April 25, 2017

Biola’s Symphony Orchestra takes listeners on a journey

Maxwell Heilman, Writer
April 11, 2017

1476 sounds like no other

Maxwell Heilman, Writer
April 5, 2017

Demon Hunter outlives their competitors

Maxwell Heilman, Writer
April 4, 2017

Memoriam resurrects misunderstood genre

Maxwell Heilman, Writer
March 28, 2017

Pallbearer expands their sound

Maxwell Heilman, Writer
March 28, 2017

Christian music’s history remains bright

Maxwell Heilman, Writer
March 21, 2017

Samurai Jack takes no prisoners

Maxwell Heilman, Writer
March 21, 2017

Japandroids spurred me in and out of higher education

Maxwell Heilman, Writer
March 15, 2017

Young Fox revitalizes ‘00s alt-rock

Maxwell Heilman, Writer
March 15, 2017

The “Cor” collective teases their production

Maxwell Heilman, Writer
March 7, 2017

Soundgarden’s “Ultramega OK” rocks harder than ever

Maxwell Heilman, Writer
March 7, 2017

Adam Del Monte pushes the limits of flamenco

Maxwell Heilman, Writer
March 1, 2017

Thundercat carries the electro-funk torch

Maxwell Heilman, Writer
February 28, 2017

Netra captures urban misery

Maxwell Heilman, Writer
February 27, 2017

Noêta drops the supreme “Beyond Life and Death”

Maxwell Heilman, Writer
February 21, 2017

Rogue One spurs the demise of Star Wars

Maxwell Heilman, Writer
February 14, 2017

Batman spurs the Lego resurgence

Maxwell Heilman, Writer
February 14, 2017

Mosh pit trauma necessitate unity in the hardcore scene

Maxwell Heilman, Writer
February 14, 2017

Echavox expands its creative breadth

Maxwell Heilman, Writer
December 7, 2016

Metallica overcompensates with “Hardwired…”

Maxwell Heilman, Writer
November 29, 2016

Zao diagnoses listeners with “The Well-Intentioned Virus”

Maxwell Heilman, Writer
November 29, 2016

Spirituality retains presence in secular music

Maxwell Heilman, Writer
November 16, 2016

Animals As Leaders acquire a lighter touch

Maxwell Heilman, Writer
November 15, 2016

Biolans need Zao

Maxwell Heilman, Writer
November 15, 2016

Johnny Cash preserves and furthers American melancholy

Maxwell Heilman, Writer
November 8, 2016

Nick Dear’s “Frankenstein” catches its fourth wind

Maxwell Heilman, Writer
November 8, 2016

Sigur Rós’s ex-keyboardist releases an opera

Maxwell Heilman, Writer
November 7, 2016

Biola’s music conservatory displays its talent

Maxwell Heilman, Writer
November 1, 2016

Hellboy comes full circle

Maxwell Heilman, Writer
October 25, 2016

American Football reinstates their charm

Maxwell Heilman, Writer
October 25, 2016

True Widow soothes with distorted serenity

Maxwell Heilman, Writer
October 18, 2016

Australia’s Mesarthim shines through the void

Maxwell Heilman, Writer
October 18, 2016

La Puente had a noisy evening

Maxwell Heilman, Writer
October 11, 2016

Fit for a King’s identity fades

Maxwell Heilman, Writer
October 9, 2016

Nothing can stop Meshuggah

Maxwell Heilman, Writer
October 9, 2016

Gungor shows listeners “Body”

Maxwell Heilman, Writer
October 4, 2016

Alcest’s “Komada” transcends in abysmal glory

Maxwell Heilman, Writer
October 4, 2016

The Freedmen’s Bureau bids a triumphant farewell

Maxwell Heilman, Writer
September 27, 2016

Neurosis brings post-metal back to its roots

Maxwell Heilman, Writer
September 26, 2016

Chain Reaction celebrates unified love of loud rock

Maxwell Heilman, Writer
September 20, 2016

Scott Tixier secures his legacy

Maxwell Heilman, Writer
September 12, 2016

Norma Jean destroys expectations

Maxwell Heilman, Writer
September 12, 2016

Eight amazing albums aside from “Blond”

Maxwell Heilman, Writer
September 6, 2016

Eluvium leads the classical ambient pack

Maxwell Heilman, Writer
September 4, 2016

Eagull’s soar above competition with “Ullages”

Maxwell Heilman, Writer
May 17, 2016

Death Grips drag listeners into “Bottomless Pit”

Maxwell Heilman, Writer
May 10, 2016

The kid from hell takes Netflix

Maxwell Heilman, Writer
May 4, 2016

Sigur Rós pulverise emotions

Maxwell Heilman, Writer
May 3, 2016

Sludge metal for beginners

Maxwell Heilman, Writer
April 20, 2016

Nucleus produces a sadly disappointing debut

Maxwell Heilman, Writer
April 19, 2016

Deftones astound with “Gore”

Maxwell Heilman, Writer
April 12, 2016

BABYMETAL attempts to transcend novelty status

Maxwell Heilman, Writer
April 5, 2016

An a capella afternoon with SeaNote

Maxwell Heilman, Writer
March 23, 2016

The Body releases a pop album

Maxwell Heilman, Writer
March 22, 2016

Obsidian Kingdom hones their craft.

Maxwell Heilman, Writer
March 14, 2016

Rap rock beyond Limp Bizkit

Maxwell Heilman, Writer
March 14, 2016

God’s supporting hand will carry believers

Maxwell Heilman, Writer
March 11, 2016

Hacktivist break out of the box

Maxwell Heilman, Writer
March 8, 2016

Crimson Moonlight retake the throne

Maxwell Heilman, Writer
March 1, 2016

Ty Segall mugs emotions

Maxwell Heilman, Writer
February 23, 2016

Students avoid West Nile

Maxwell Heilman, Writer
November 17, 2015

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Maxwell Heilman