Holy Blood represents Christian viking metal
The Ukrainian band’s first release in three years gushes melodramatic bombast.
Contemporary Christian music diverges from the style of hymns
Theologically rich hymns coexist with emotional and experiential contemporary songs.
The double-edged sword of computer generated imagery
Although CGI is a powerful filmmaking tool, it must be used correctly to maintain effectiveness.
“A Woman’s Life” ponders femininity in the 19th century
Stéphane Brizé’s latest film captures the sorrow and joy of life.
A Guide to A24
To comprehend the film distribution company’s rapturous arrival, delve into the sweeping essentials to A24.
“Alien” needs bizarro vision
Jerry Goldsmith’s musical contribution to the original film encapsulates the bravery so desperately needed in modern movies.
POPS! showcases film fanfare
Biola Symphonic Winds combines score greats and skits for a memorable evening.
Chris Stapleton’s sophomore release makes country great again
“From A Room: Volume 1’s” diverse style makes it more than just another country record.
Elevant makes stoner funk a thing
“Normal Life” injects infectious groove into their alt-rock cocktail.
Slowdive makes unprecedented return
The shoegaze trailblazers modernize their origins in self-titled release.
James Gunn’s sequel leaves contemporaries lightyears behind
“Guardians of the Galaxy Vol. 2” takes top box office spot with hilarity and an engaging story.
Biola’s Theater 21 grips audiences with “The Glass Menagerie”
![Eliana Park/THE CHIMES [file]](https://chimesnewspaper.com/wp-content/uploads/2017/05/AE-GlassMenagerie_EP-FILE-900x600.jpg)
“The Glass Menagerie” boasts of an excellent cast who tells a powerful story.
In a world where computers grow smarter, Gen Z searches for something deeper, something soul-filling rather than brain-stimulating. Two young...