POPS! showcases film fanfare
Biola Symphonic Winds combines score greats and skits for a memorable evening.
Chris Stapleton’s sophomore release makes country great again
“From A Room: Volume 1’s” diverse style makes it more than just another country record.
Elevant makes stoner funk a thing
“Normal Life” injects infectious groove into their alt-rock cocktail.
Slowdive makes unprecedented return
The shoegaze trailblazers modernize their origins in self-titled release.
James Gunn’s sequel leaves contemporaries lightyears behind
“Guardians of the Galaxy Vol. 2” takes top box office spot with hilarity and an engaging story.
Biola’s Theater 21 grips audiences with “The Glass Menagerie”
![Eliana Park/THE CHIMES [file]](https://chimesnewspaper.com/wp-content/uploads/2017/05/AE-GlassMenagerie_EP-FILE-900x600.jpg)
“The Glass Menagerie” boasts of an excellent cast who tells a powerful story.
Gorillaz’ “Humanz” provides rhythmic dystopian monkey business
Albarn’s Gorillaz eschews the conventional, gives way to superlative hip-hop talents.
White Ward master depressive experimentalism
“Futility Report” gives a multifaceted perspective on mental illness and inner negativity through an unmistakable sound.
Nhor encapsulates temperate gloom
The beginning of the British spellbinder’s EP quadrilogy illuminates a quiet take on spring.
A beginner’s guide to Mac DeMarco
Ahead of the artist’s fourth album, this is a good place to start.
Conservatory showcases woodwind prowess for Music at Noon
Music at Noon featured a talented trio of classical musicians.
When asked to describe their daughter, Amber Delgado, her family said: “She was the kind of person you noticed the moment she walked into a...