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Dear Professor Simon…
Features
Episode 1: Chimes Rundown
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Listen to Blossoms’ latest album for a little pick-me-up
Madasyn Korhonen
, Freelance Writer
February 6, 2020
Andy Shauf delivers impressive storytelling in “The Neon Skyline”
Sammy Newcomer
, Freelance Writer
January 30, 2020
Mac Miller’s posthumous album is an upbeat heartbreaker
Emily Coffey
, Staff Writer
January 23, 2020
Circa Waves teases an underwhelming album with “Happy”
Sammy Newcomer
, Freelance Writer
January 17, 2020
Allen Stone blends soul, funk and pop in “Building Balance”
Sammy Newcomer
, Freelance Writer
November 16, 2019
“Jesus is King” is powerful, yet unsatisfying
Sammy Newcomer
, Freelance Writer
October 31, 2019
From Yeezus to Jesus: Kanye fans should not fear his gospel attempt
Sammy Newcomer
, Freelance Writer
October 5, 2019
Fitz and the Tantrums’ “All The Feels” fails to show variety
Lauren McBride
, Staff Writer
September 21, 2019
“Glory Sound Prep” Review: Jon Bellion knows no limit of genre
Kayla Santos
, Staff Writer
November 18, 2018
George Ezra shows his audience the fun of blues rock
Vic Silva
, Staff Writer
March 28, 2018
Behind The Scenes: Chris Rasmussen longs to connect with his audience
Vic Silva
, Writer
October 24, 2017
“No Shape” embraces Hadreas’ sexuality
Kyle Kohner
, Writer
May 18, 2017
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