“Pure Comedy” deepens Father John Misty’s enigmatic nature
Josh Tillman opens up the circle of ridicule with satirical beauty in “Pure Comedy”
“The Blackcoat’s Daughter (February)” will spiritually discombobulate
Perkins’ debut film pays off with demented content, meriting caution from some viewers.
“The Discovery” offers an intriguing take on the afterlife
This indie sci-fi flick turns heads with an original premise that dissects the idea of an afterlife.
“Quality Content” quips meme culture
Soren Iverson’s senior thesis explores the universal absurdity of the internet.
1476 sounds like no other
“Our Season Draws Near” sees the eclectic duo wrap their influences into a transcendent musical cocktail.
Demon Hunter outlives their competitors
The faith-based melodic metallers come with accessible blood-pumping goodness.
Titan returns with savage new bite
After four years, Attack on Titan introduces new foes with a dangerous new plot.
“Quality Content” comments on internet culture
Soren Iverson’s senior art gallery sends memes into reality.
CLAVVS’ “World Underwater” is a world worth exploring
The Atlanta-based duo stands out as accentuators of the best of synthpop in their sophomore LP.
You’ll Never Get to Heaven’s “Images” reaches divinity
The ambient dream-pop duo creates ethereal soundscapes on new LP.
Marvel’s “Iron Fist” fails to hit the mark
The last hero to join The Defenders does not live up to his predecessors.
On the evening of Nov. 15, the stage in Ethel Lee Auditorium was set with a purplish-blue hue and a light fog. The Biola Jazz Ensemble, led by...