“The Fourth Kind” is a strange brew of genres
“The Fourth Kind” walks the line between a traditional narrative and faux documentary.
Goats, the Army, Clooney: Awkward
"The Men Who Stare at Goats" has a great premise, but the story doesn't fit well within the film's style.
“A Christmas Carol”: Heartwarming and bone-chilling
Jim Carrey showcases impressive voice talent in this computer animated version of Charles Dickens' classic novel.
“This is It” leaves you wondering
"This is It" leaves audiences dreaming about what could have been Michael Jackson's greatest performance.
“Hello Hurricane” infuses fresh take on the Switchfoot sound
It’s not often a band can create a sound to call their own while remaining creatively agile, each proceeding record sounding unlike the last.
Old story speaks to modern issues in “Astro Boy”
"Astro Boy" is charming and thought provoking, but too often stoops to using stereotypes.
“Where the Wild Things Are” misses the mark
"Where the Wild Things Are" is visually stunning but doesn't expand upon the simple children's story from which it is based.
Paramore’s “Brand New Eyes” fulfills its hype
It should be unanimously agreed that Paramore's new album, “Brand New Eyes,” was worth the wait.
Relient K fails to innovate in new album
Relient K's new album is raw and authentic but lacks innovation.
On the evening of Nov. 15, the stage in Ethel Lee Auditorium was set with a purplish-blue hue and a light fog. The Biola Jazz Ensemble, led by...