The Black Keys thrill with dynamic performance at Honda Center
Blues-rock band's live show on Monday was a must-see.
“Diluvia” solidifies Freelance Whales as indie mainstays
Freelance Whales' "Diluvia" earns four out of five stars for being unconventional yet accessible.
Tim Burton fails to reinvent his own wheel in “Frankenweenie”
"Frankenweenie" earns two out of five stars for doing the same thing Tim Burton has been doing since "Nightmare Before Christmas."
“Taken 2” far too derivative of the original
"Taken 2" earns two out of five stars for unoriginality.
Bad Books side project yields one of year’s purest albums
Bad Books' "II" earns four out of five stars for a consistently creative album.
“Transcendental Youth” is immersible but unmemorable
The Mountain Goats' "Transcendental Youth" earns 3.5 out of 5 stars for a less than memorable experience.
“Looper” throws new spin to time travel movie genre
"Looper" earns four out of five stars for outstanding performances and a unique take to the time travel genre.
Fall TV season promises hits and misses
"Parenthood," "The Walking Dead" and other shows hit the airwaves soon.
Green Day’s “Uno!” is far from number one
"Uno!" earns one out of five stars for lack of originality.
“The Master” weaves a religious tale of madness
"The Master" earns five out of five stars for being one of the year's best films.
Mumford & Sons tower above music world with “Babel”
"Babel" earns four and a half out of five stars for continuing a new folk legacy.
The Killers return in full force with “Battle Born”
"Battle Born" earns four out of five stars for a wonderful return to form.
When asked to describe their daughter, Amber Delgado, her family said: “She was the kind of person you noticed the moment she walked into a...