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All content by David Vendrell
Sex and Violence: ingredients of storytelling
May 12, 2015
A Shallow Well
May 5, 2015
Selfishness in the Snapchat age
April 28, 2015
Playing God
April 21, 2015
Lost in the crowd
March 24, 2015
Wild tales of killer karma
March 10, 2015
Will Butler loosens up and gets down with solo-debut
March 3, 2015
“Focus” loses sight of the big score
March 3, 2015
Kingsman takes things too far
February 24, 2015
Fifty shades of tragedy
February 12, 2015
Powerful narratives that break the mold
February 3, 2015
After happily ever after
January 15, 2015
1,100 miles of self-discovery
December 9, 2014
Cracking the code
December 2, 2014
We need to laugh at stupidity
November 18, 2014
Big Hero 6 dazzles with inventive intimacy
November 11, 2014
Mixing food and family
November 4, 2014
Horror taps into primal truths
October 28, 2014
Birdman soars into the imagination
October 28, 2014
Dear White People and the shiny, new racism
October 21, 2014
Whiplash boldly lives up to its name
October 14, 2014
“Men, Women & Children” struggles with technology
October 7, 2014
“Believe Me” hilariously sends up modern evangelicalism
September 30, 2014
Closing the divide between church and Hollywood
September 23, 2014
Christian films fail by sugarcoating reality
September 16, 2014
Documentary exposes abusive Christian camp
September 16, 2014
Walking in someone else’s shoes: empathy through cinema
September 9, 2014
Content vs. Context: Dealing with film’s toughest subjects
September 2, 2014
“Boyhood” – An Intimate Epic
August 27, 2014
“The Double” offers a bleak and hauntingly fresh dreamscape
May 12, 2014
‘Joe’ rises above familiarity and formula with powerful performances
April 21, 2014
‘300: Rise of an Empire’ is too shallow and violent to be considered just fun
March 12, 2014
‘The Monuments Men’ a solid, but unfulfilling venture into war and art
February 11, 2014
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