“A Christmas Carol”: Heartwarming and bone-chilling
Jim Carrey showcases impressive voice talent in this computer animated version of Charles Dickens' classic novel.
“This is It” leaves you wondering
"This is It" leaves audiences dreaming about what could have been Michael Jackson's greatest performance.
“Hello Hurricane” infuses fresh take on the Switchfoot sound
It’s not often a band can create a sound to call their own while remaining creatively agile, each proceeding record sounding unlike the last.
Old story speaks to modern issues in “Astro Boy”
"Astro Boy" is charming and thought provoking, but too often stoops to using stereotypes.
“Where the Wild Things Are” misses the mark
"Where the Wild Things Are" is visually stunning but doesn't expand upon the simple children's story from which it is based.
Paramore’s “Brand New Eyes” fulfills its hype
It should be unanimously agreed that Paramore's new album, “Brand New Eyes,” was worth the wait.
Relient K fails to innovate in new album
Relient K's new album is raw and authentic but lacks innovation.
“Couples Retreat” loses positive message by exploiting sex
“Couples Retreat” may be a comedy, but it disgusts just as often as it entertains.
Job shows up in “A Serious Man”
The Coen brothers’ latest drama asks deep questions about the nature of suffering. Is it bad luck, or is God conspiring against us?
Lots of guts, little explanation in “Zombieland”
I like zombies — a lot. Well, technically I hate them, but I love the idea of them. Something about the idea of zombies appeals to me for a few reasons.
“Surrogates” regurgitates dry sci-fi themes
“Surrogates” tries to make up for its lack of uniqueness with an abundance of standard Hollywood formula.
Oh ye trucks parked in the lot I cannot find one spot Do ye hear me scream? Do ye hear me sob? In this small parking...