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Spring 2019 theater preview

Theatre director Zachary Bortot peels back the curtain on Theatre 21’s spring productions.
as it is in heaven / spring 2019 theatre preview / eleemosynary

Theatre 21 productions return this spring with plays that are intended to push audiences to contemplate the deeper messages behind the stories, all while highlighting the talents of the theatre department. This was evident last fall, as “The Boys Next Door” joyfully highlighted those in the intellectually challenged community while “Almost, Maine” allowed student director Emily Delgado to spread her wings and helm an entire production by herself. This spring, students can look forward to Theatre 21’s productions of “As It Is In Heaven” and “Eleemosynary” for wholesome entertainment that incorporates themes of diversity and inclusivity.

“One thing that is exciting is that both productions have entirely female casts, with female directors,” said assistant professor of theatre Zachary Bortot in an email.

“As It Is In Heaven” –– March 29 – April 7

Bortot describes Theatre 21’s first spring production, “As It Is In Heaven,” as following a religious community in 1830s Kentucky where a recent convert suddenly experiences the supernatural. Many other women in the community similarly experience the supernatural, seeing angels and receiving spiritual gifts regarding the arts, stirring trouble in the community. Off-campus guest Angela Sonner will direct.

“‘As It Is In Heaven” is a thought-provoking look at how faith communities deal with the internal issues that divide us,” Bortot said in an email.  

“Eleemosynary” –– April 26 – April 28

Directed by senior communications major Emily Reese Castro, “Eleemosynary” follows three generations of women whose strained relationships come together after a tragedy in the family. Emotional, sensitive and thoughtful, “Eleemosynary” contemplates the difficulties and necessities of different relationships.

“Eleemosynary is a poignant character study that examines how three generations of women must find ways to be charitable in the act of reconciling past wounds inflicted on one another,” Bortot said in an email. “It will be [Castro’s] final production with Theatre 21 before she graduates this spring.”

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Pierce Singgih
Pierce Singgih, Editor-in-Chief (Fall 2019)
Pierce Singgih is a senior journalism major who keeps postponing graduation. When he’s not writing or editing, he can be found watching a Noah Baumbach film or drinking coffee. [email protected] I transferred to Biola as a biology major in 2017. You read that right. I wanted to be a doctor. After a semester here, and a few semesters of biology at community college, I realized I had zero desire to pursue a career in medicine. With no direction and little experience writing, I took a leap of faith into journalism. Now, after two years in the program, a few internships and my time with the Chimes, I’ve fallen in love with storytelling.  At its core, journalism is the voice of the community. Journalists provide a voice to the voiceless, standing up for those can’t stand up for themselves. I love representing a community and its people, bringing their voice to life in order to make real change.  Last summer, I interned for the Los Angeles Daily News where I did just that. I submerged myself in the San Fernando Valley –– a Los Angeles community –– covering breaking news, crime, elections and homelessness, among other issues. I also contribute to Film School Rejects, an online entertainment publication where I’ve covered the Los Angeles Film Festival and have certified film reviews on Rotten Tomatoes.  Now, I’m excited to follow in the footsteps of Editors-in-Chief before me and lead the Chimes into a new era of journalistic excellence.
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